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Murderball. Documentary. Directed by Henry Alex Rubin, Dana Adam Shapiro. 85 minutes. Rated R. GAME PHOTOS COURTESY U.S. QUAD RUGBY ASSN. |
Murderball opens in theaters July '05. Visit Murderball movie websiteGame on! A review by Ed Hooper
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Murderball is getting rave reviews from film critics like Roger Ebert of the
Chicago Sun-Times, who predicts an Oscar for it for best documentary. It
won both the Sundance Audience Choice Award and the Special Jury Award for
editing.
But the critics got one thing wrong: Murderball doesn't dispel
myths and stereotypes. It takes big fat bites out of those sugary sweet,
pathetic images and stereotypes, chews 'em up and spits 'em out. It's
not a magic pill that will make pity and stereotypes go away, but it is
quite simply the best film ever made on disability.
It amazes me that these filmmakers were able to render such an honest
portrayal of living life from the seat of a wheelchair. Somehow, either by
the sheer exposure to the people or by some innate understanding, directors
Henry Alex Rubin and Dana Adam Shapiro "got it," and this film is a joy to watch,
especially the way we did, at a screening with family and about 12 other quads.
Murderball is
quite simply the best film ever made on disability.
This movie is funny. It is sad. It is fiery, fast, frank, explosive, sexy,
tender, loving, and the action is bone-jarring, just like quad rugby, aka
Murderball.
The music is perfect. The editing superb.
What more could you ask for? How about an obsessive villain, Joe Soares,
and a scary-looking good guy, Mark Zupan, who looks like he just jumped out
of the X-Games, tattoos and all? Soares left Team USA when he wasn't
chosen to be on the 2000 Paralympic team; out of revenge he became the coach
of Team Canada. This prompted some Team USA members to call Soares a
traitor. Zupan said, "I wouldn't piss on him if he was on fire." Game on!
That's the underlying conflict that drives Murderball to its conclusion:
USA vs. Canada, Soares vs. Zupan and every member of Team USA.
But there's a much higher message coming out of this movie, because the filmmakers
focused on the people. Even Soares is softened in the end, thank God.
Zupan, Andy Cohen and Scott Hogsett are in reality articulate, good-natured guys,
quite different from their rugby personas. They have wry, sarcastic senses
of humor, and they want gold, not hugs. They want women, not mommies. And
they succeed. Women love quads, and we love women. Women see quads as safe
and exciting because there's an instinctive curiosity women have about how
"things work." If they get too curious, they find out exactly how things
work. Anyway, those "rugby faces" on Zupan, Cohen, and Hogsett we see at
tournaments don't seem to be who those guys are at all. So that insight is
refreshing.
Then there's Bobby Lujano, who comes off just like, well, Bobby Lujano. His
scenes are poignant, powerful, thought-provoking. When his father hugs
him after the USA loses to Canada in Athens, the love leaps off of the
screen and into your heart. If you're a softy like me, you will cry.
Murderball also follows a newly injured guy, Keith Cavill. His portrayal had me
flashing back on my early days of rehab. Watching his ride home from rehab, with his quad
hand stuck out the window feeling the scary air of freedom, was emotional.
We'd all had that same feeling: "Ok, I'm out, but now what? I'm screwed."
It's painful to watch him go through what every new spinal cord injury goes
through, but that's what shapes us. That's what makes us strong or that's
what breaks us.
In a scene later in the film, Zupan visits the rehab center and puts Cavill
into his rugby chair. Cavill lights up for the first time since his
injury. He spins around and gets the feel. He wants to hit something. He
feels free. He feels hope. All the while, a physical therapist is telling
him to be careful; he's too fragile. (Quads in the movie theater watching this scene just
laughed.) Zupan comes up to him; Cavill inches forward, then
lightly bumps Zupan's everyday chair. You can tell he wants to give
Zupan a good solid whack. A quad rugby player is born.
If you able-bodied folks want to get some inkling of what living
with a disability is like, go see Murderball.
Finally, there is Chris Igoe, whom I met at the screening and liked
instantly. Zupan and Igoe were best friends. After the drunken accident
that broke Zupan's neck, Igoe blamed himself. The two became estranged, Igoe
nearly suicidal with guilt. Igoe
has finally forgiven himself, he told me. And Zupan feels that
getting injured was the best thing that's happened to him (His
reaction is not uncommon among quads who have survived and carved out a life
for themselves.). Their reconciliation on-screen is quite moving.
Murderball is about winning and losing. It's about driven athletes. But
it's mostly about survival and moving forward after one is injured. It's
about people, people who succeed and people who fail. Sound familiar? It's
about life.
In real life, it doesn't have to be quad rugby -- you can find your
passion and pursue your dreams with any sport or work or art. It's whatever
motivates you. You can move past the devastation of being severely
injured and live a happy, fulfilling life.
If you able-bodied folks want to get some inkling of what living
with a disability is like, go see Murderball. You'll learn more in 85
minutes than you could in a lifetime of politically correct "education." This movie is that good.
Posted Feb. 9, 2005 Ed Hooper, a 13-year veteran of quad rugby, coaches the Hoveround Lightning
team from Sarasota, Florida, ranked third in the the U. S. Quad Rugby Association. Read Hooper's early articles from The Disability Rag in The Ragged Edge anthology, available from amazon.com.
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